Well, fasten your seat belts with your seat backs upright and your tray tables stowed because this could be a bumpy ride!
To begin, I am going to time-travel backward about 30 years
to the time when I was a young mother. I
was working full time as an RN in Labor and Delivery, and teaching part-time as
a childbirth instructor. Married, with
two young children born 17-months apart.
Studio time? Honey, it was
non-existent.
Okay, I take that
back: I did have a bit of a quilt life,
but it was squeezed into a once per month block of the month club class that I
took for my own sanity and those late night sessions (rare!) when I needed to
gear down after a stressful shift at the hospital. I would sit at my tiny dining room table
during the wee-hours of the morning after my evening shift and hand-stitch my
constructions.
In those days I did almost
everything by hand (insert an image of me smacking myself on the forehead
here!). I was occasionally frustrated by
my lack of productivity in the quilt realm, but the truth was I was so busy and
overwhelmed by my new reality as a mother that I didn’t have much time to focus
on it.
I wasn’t making small work at that time. I think my frustration level would have been
lessened somewhat if I had chosen smaller, more attainable projects that could
give me a sense of successful completion.
I was making large quilts, or trying to.
Why wasn't I working smaller then?
(Nest series, size 8x8x1.5 inches)
So, there were a lot of years of low-productivity.
We moved, and even though my children grew up (whether I
wanted them to or not) and left home to pursue college and start their own
lives, my first six years in Texas were spent commuting back and forth to Kansas
caring for my sister and mother, who passed away in 2001 & 2003
respectively.
Eventually a window of time appeared. I began to produce more work, get into shows,
and even win a few awards here and there.
I learned how to play with surface design (dyeing and screen printing
my own designs on cloth) which I regard as one of the best things about moving
to Texas (there are many other things!).
I started getting requests to write some articles, blog posts, become
involved in an organization by serving on the national board of directors. I got really stinking busy again!
Somehow, I seemed to be managing these new responsibilities
and I certainly enjoy them all. Then,
last year, another event came to the surface involving my husband that suddenly
created twice as much travel and time away from home. It was a wonderful event and I enjoyed every
single moment of participating in it, but wowza did my studio time take a
hit.
I’m not just talking about the time
I sit in front of my sewing machine or stand at my print table. I’m also talking about that time that, on the
surface of things, doesn’t look productive but is: that time to dream, to sketch, to simply sit
and ruminate about a project and where you want to take it. That creative juice, or flow. THAT is where I seemed to get myself into
trouble.
With studio time at a premium I found myself so rushed to
“get something done” that I would enter the environment already creatively
“blocked”. Stuck. Nothing.
As deadlines began to appear over the horizon and move closer….closer….CLOSER I felt something close to internal panic.
I really needed to sort myself out. How could I manage to juggle all these
things, which admittedly were exceptional this year, but still….?
I needed to identify a system that would keep better track of my deadlines, for one thing. I think I need a white board! My system of keeping things on my iphone calendar with an alarm doesn’t seem to be as effective now as it was when I was managing only a couple things in the studio. I need to see it. Often! And what is more satisfying than crossing something off that list? If not a white board, then a big flip chart that I can write on and prioritize items and deadlines.
Here is what I settled on...a frameless "white board" that
clings to the wall and is (supposedly) harmless to the surface.
clings to the wall and is (supposedly) harmless to the surface.
Here is what it looks like going on the wall.
Not gorgeous, but it is a solution to a problem!
I'm using this one (of my two new white boards)
for deadlines.
I need to find more time.
Huh? Don’t we all have the same
amount of time in every day? Yes, but
what if a significant part of your schedule involves travel? There is a lot of down time sitting in
airports, airplanes, trains, etc. Use it
more wisely.
Carry a sketchbook.
Don’t groan yet (I can hear you!).
Yes, the sketchbook is for sketching, but so much more: it can be a place of creative
management. I do a great deal of
doodling in an actual paper sketchbook (see above):
either a small moleskin with small windows on each page or a 5x7
moleskin. Both tuck nicely into my
travel purse or backpack. I do a lot of
creative work on the plane. It is a time
to gather my thoughts about a particular project or idea. Sometimes, I put earphones in, even if I am
not listening to music or an audiobook, just so my seatmates won’t be inclined
to chat me up. Don’t get me wrong: I still listen to music and sometimes chat,
but I find that I get back some of my creative energy when I doodle, sketch
ideas, or simply write them down.
I travel with small stitch projects that I call ‘Sweet
Little Somethings’.
working on this during a long flight.
Here are a few of the little stitched constructions. Often these are
a combo of cloth bits, paper, and ephemera along with stitching.
a combo of cloth bits, paper, and ephemera along with stitching.
As you can see, they are a mixture
of cloth and paper, nothing precious at all.
I bring this in a small Ziploc bag along with embroidery scissors,
embroidery thread, and needles. It is another
way to let the creative juice flow and work with intent. Will these little somethings become a big
something? I don’t know and frankly do
not care. It is the process, not the
product, that I am interested in.
Take a bit of time to reorganize your studio workspace. Perhaps you don’t need to do this because you
are not as much a work-slob as I am, but wow, I really make a mess when I
work. I can fill the surface of any work table, no matter how
big, until I am left with a space about 8x10 inches. Yikes!
That is all fine, but I need to clear it off and put things away so I am
ready to come back in and get going.
Have you ever avoided your studio because it felt overwhelming to go
in? Well, I have.
I save myself so much time if I take a bit off the end of my work to straighten things up. I use less time looking for stuff. I WANT to go in there and work because it is ready and waiting for me.
Finally, create some sort of starting ritual for yourself
before you engage in your work.
Silly? Maybe. But it works for me. I have a couple of things I do. First, I have something I say to myself every
single time I walk down the hallway to my studio. Second, I often light a candle for the
duration of when I am in the studio working, because that time feels (and is)
sacred to me.
If I am feeling a bit
stuck, I have several activities that I choose from to loosen up. For me, drawing and printing on watercolor
postcards, sale tags, etc., get my juices flowing. I side-step from this over to the big project
at hand. I find that doing a parallel
activity allows my brain to relax and ideas to bubble up. I consider this a form of mental
calisthenics.
If you are a young parent: take heart. You are a young parent for a finite part of your life. Find some smaller, more attainable projects to satisfy your creative urge and know that there will be time out there in your future. I promise!
Carve some time for yourself whenever possible. I firmly believe this is not only good for you, but also good for your loved ones as it keeps you energized.
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